Need Another Photographer Who Actually Knows WTF They're Doing?
SECOND SHOOTING + ASSOCIATE COVERAGE
Hi. I'm Aireal.
I've photographed a shitload of weddings at this point — as the lead, a second, & an associate.
So when you hire me, you're not hiring someone who needs to follow you around all day waiting to be told what to photograph.
Give me a job. I'll handle it.
Groom prep? Got it. I'll probably pin the boutonnieres, too.
Cocktail hour while you're doing portraits? Yep.
Wedding party? Send 'em over.
Family photos? I can herd cats.
Reception candids? Happily.
On-camera flash? Absolutely.
WHAT IT'S ACTUALLY LIKE TO HAVE ME SECOND SHOOT
I'M THERE TO MAKE YOUR JOB EASIER. NOT HARDER.
When I'm second shooting, your wedding. Your clients. Your rules.
I can adapt to the way you work without suddenly forgetting how to make decisions on my own.
Tell me what matters to you, what you want covered, how you prefer files handled, whether there are specific lenses/angles/settings you want from me, and anything that's absolutely off-limits.
Then go do your thing.
I LOOK FOR WHAT YOU CAN'T SEE.
If you're photographing the couple coming down the aisle, I'm watching Mom.
If you're getting the safe angle, I'm looking for the interesting one.
If you're photographing portraits, I'm paying attention to what's happening around them.
If you're with the couple during cocktail hour, I'm photographing the people they invited to their wedding.
You don't need 800 slightly different versions of the photographs you already took.
You need coverage you couldn't physically get because you are, unfortunately, still only one person.
That is where I come in.
MY BRAIN HAS A LOT OF TABS OPEN.
I'm a neurospicy ADHD + autistic human.
Which means I can, admittedly, be a little weird sometimes. I might over-explain something, completely miss that you were making small talk, say the thing everyone else was apparently only thinking, or need approximately three business days to realize that someone was flirting with me.
Social subtlety? Not always my department. 😂
But wedding-day chaos?
Weirdly, extremely my department.
My brain is constantly noticing shit. Who hasn't been photographed yet. Grandma quietly tearing up in the corner. The flower girl doing something unhinged behind you. The timeline getting five minutes behind. A detail that's been moved. A lighting problem we're about to have. Someone important wandering toward the bathroom approximately twelve seconds before family portraits.
I tend to see patterns, remember weird little details, hyperfocus when something needs solved, and function surprisingly well when there are seventeen things happening at once.
So yes, you may occasionally get an Awkward Aireal interaction.
But you also get the brain attached to it - and she's pretty fucking useful at weddings.
Basically: a little weird. Very competent. Excellent in a crisis.
A FEW THINGS YOU PROBABLY WANT TO KNOW BEFORE YOU HIRE ME
I can work independently.
You do not need to give me a scavenger hunt list every 20 minutes. Give me the assignment, tell me your priorities, and I'll use my brain.
I also know how to follow directions.
Independent does not mean “Aireal has decided she's the lead photographer now.” If you want something done a particular way, tell me. I'm working for you.
I'm comfortable with actual humans.
Wedding parties, stressed parents, tiny children, drunk groomsmen, Grandma, LGBTQIA+ couples, complicated families, people who hate having their picture taken—I can talk to people without making the interaction painfully fucking awkward. (well, most of the time.)
I'm neurodivergent myself, so awkward, anxious, overstimulated, introverted, eccentric, or otherwise-not-great-at-performing-normal-for-the-camera people don't scare me. Those are my people.
I know weddings.
I'm not just technically capable of operating a camera. I understand how wedding days move, what happens next, where I probably need to be, and when something is about to happen even though nobody technically announced it.
I can handle shitty light.
Dark churches. Windowless getting-ready rooms. Reception halls where somebody decided three strands of fairy lights constituted a lighting plan. We'll figure it out.
I'm not afraid of flash.
And I actually bring lighting equipment. Revolutionary, I know.
I look for different photographs.
Different angles. Layers. Reflections. Foreground elements. Reactions. The weird little shit happening around the main event. Second shooting gives me room to experiment after I've made sure you have what you actually hired me to get.
I'm inclusive. Full stop.
LGBTQIA+ couples, interracial couples, nontraditional families, unconventional weddings, chosen family, whatever. Your clients don't have to wonder whether the second photographer you brought into their wedding is going to make them uncomfortable.
I understand whose client this is.
Yours.
That means I am not there to market myself to your couple, hijack vendor relationships, undermine you, or turn their wedding into content creation for my own business.
I am there to support you.
Yes, I have my own Shit.
Here's what's in my camera bag.
Nikon z7ii (Mirrorless, Full-Frame, dual memory card - CFExpress Type B & SD)
Nikon z6ii (Mirrorless, Full-Frame, dual memory card - CFExpress Type B & SD)
Nikkor Z 70-200 f/2.8
Nikkor Z 24-70mm f/2.8
Neewer Z1 Flash with dome diffuser (4)
Neewer 26"/65cm Octagonal Softbox (2)
Flash stands (2)
Dual camera harness (1)
SD cards (multiple)
Batteries (for cameras and flashes)
WHAT AM I GONNA COST YA?
Local = within 2 hr from Fairmont, WV.
Associate - $150/hr local, $200/hr travel
Second or Third - $50/hr local, $75/hr travel
Assistant - $25/hr + gas
THINGS I WILL NOT DO BECAUSE I'M NOT AN ASSHOLE
I won't hand your clients my business card.
I won't spend their wedding promoting Sunflower & Sage.
I won't wander off without telling you where I'm going.
I won't knowingly interfere with your shot to get mine.
I won't spend the entire ceremony standing six feet away from you photographing the exact same fucking thing.
I won't post images before you're comfortable with them being shared.
I won't deliver images directly to your clients.
Hell, I'M PROBABLY NOT EVEN GOING TO EDIT THE PHOTOS I TAKE.
And I mean that pretty literally.
At this point, I rarely even touch my second-shooting galleries after I hand the files over. I've been doing this long enough that I don't need every wedding I photograph to become content for my portfolio or social media.
I'm there because you hired me to help you photograph your clients' wedding. That's the job.
Every once in a while, I might photograph something I really fucking love and want to edit it for my portfolio—but I'm not spending the wedding day thinking about what I need for Instagram. And I'm not racing home afterward to edit and post your couple before you've even delivered their sneak peeks.
If you have specific rules about editing, portfolio use, tagging, posting timelines, or not sharing the images at all, just tell me. I'll respect them.
Your client. Your business. Your boundaries.
OKAY, ENOUGH TALKING. HERE'S THE SHIT I'VE ACTUALLY SHOT.
NEED ANOTHER PHOTOGRAPHER?
If you've got a wedding coming up and need a second, third, associate, or an extra set of hands, send me the details.
If I'm available and it sounds like a good fit, let's fucking do it.
